Raw video shooting -- worth for a wedding videography? For a long time, the only available acquisition format for event videographers was heavily compressed 8-bit H264 4:2:0 (Canon 5Dmk2, panasonic GH2/3, etc). This format (long GOP H264, with 420 chroma subsampling) is very good as a delivery format for internet streaming. But when it comes to postproduction -- especially exposure, color corrections and color grading, you will lack the missing data.
This is why high you need high quality…

Martin Kacvinský

11 months back

594

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